memory of a dream

12316181_674710372671050_1692226492026005026_n11225255_674710239337730_7783352492563363707_n12360064_674710392671048_6190303179859213036_n12313915_10153457559993773_7778511683759410658_n12341019_674710379337716_2867621356586274163_nProiectul de fata pleaca de la ideea agresiunii spatiului exterior asupra materiei si consecintele sale! FORMA se naste in bezna, in totala necunoastere, si de la primii pasi din viata ei, incearca sa inteleaga si sa interpreteze totul, ravneste iesirea la lumina .Este un fapt acceptat că FORMA cunoaşte lumea prin intermediul VOLUMULUI şi PLANURILOR. Cu ajutorul acestora, FORMA poate pătrunde lumea lucrurilor în locuri unde simţurile omenesti nu ajung şi poate înţelege felul în care este alcătuită materia lumii, dar şi legile ce guvernează universul, fără experienţa lor directă. Acolo unde pragul senzorial uman este depăşit, instrumentele constituite de FORMA permit investigarea NATURII EXTERIOARE SI INTERIOARE.Cu timpul, aceste instrumente au devenit brutale.Acest fapt a condus la o delimitare intre FORMA si NATURA.Aceasta granita am simbolizat-o prin DEFORMAREA volumului.O mostra gasim in aceasta expozitie.
Natural,firesc apar raporturi intre exterior-interior,fizic-spiritual,identitate-alteritate,migrare(a unor stimuli vizuali) – reasezare (o decantare a surselor de violenta).
Aceasta expozitie se vrea un discurs post modern la agresarea simturilor omului: vederea, mirosul, pipaitul sau simtul tactil, gustul si auzul.

This project is based on the idea of the aggression of exterior area on the matter and its consequences! The SHAPE is born in darkness, in total ignorance, and from the first steps in its life, it tries to understand and interpret everything, it craves to come into the light. It is accepted that SHAPE knows the world through VOLUME and PLANS. With their help, the SHAPE may penetrate the world of things in places where the human senses do not reach and it can understand how the world matter is formed, but also the laws that govern the universe, without their direct experience. Where the sensory threshold is overcome, the instruments constituted by the SHAPE allow the investigation of EXTERIOR AND INTERIOR NATURE. In time, these instruments have become brutal. This led to a delimitation between the SHAPE and the NATURE. I represented this border through the DEFORMATION of volume. We can find a sample in this exposition.

Naturally, reports between exterior – interior, physical – spiritual, identity – otherness, migration (of certain visual stimuli) appear – relocation (a decantation of violence sources).

This exposition is intended to be a postmodern speech to the assault of human senses: sight, smell, touch or tactile sense, taste and hearing.12289666_10153657905127696_1004036669272398288_n

sculptor

%d blogeri au apreciat asta: